Sascha Goetzel B
Born in Vienna, Sascha Goetzel had his first violin lessons with his father at the age of five, and at eleven his first conducting classes with Prof. Richard Österreicher. At 19 he was a member of the Vienna State Opera, where he was given decisive impulses by great conductors such as Zubin Mehta, Mariss Jansons and Seiji Ozawa. Ozawa also became his teacher and invited him with a conducting fellowship to the Tanglewood Festival. Further conducting studies followed with Jorma Panula and at 24 he took over the musical direction of the Austrian-Korean Philharmonic in Vienna.
He has been Artistic Director and Principal Conductor of the Borusan Istanbul Philharmonic Orchestra since 2008 and achieved high artistic standards and international recognition within a few years for this hitherto barely known body of musicians, which has performed at the Salzburg Festival (2010), made a brilliant debut at the BBC Proms (2014) and had its first major European tour in 2017.
Countless international reviews underscore his charismatic personality and stylistic security, which ranges from pre-classical to contemporary music, and which has given him the ability to draw peak performances from orchestras. Sascha Goetzel was Resident Conductor of the Pacific Music Festival in Japan, musical director of the Attergau Orchestra Institute which operates under the aegis of the Vienna Philharmonic, and Principal Guest Conductor of the Kanagawa Philharmonic and the Orchestre Symphonique de Bretagne. After a six year tenure of the music directorship of the Kuopio Symphony in Finland he remains a regular guest with the orchestra. He is the Artistic Director of Istanbul’s Barış İçin Müzik Vakfı/Music for Peace Foundation and works closely with young people in music education, development and performance.
Sascha Goetzel is an acclaimed and highly experienced opera conductor. Following a great success with Le nozze di Figaro in the autumn of 2014 the Vienna State Opera invited Sascha Goetzel for productions of Die Zauberflöte, Don Giovanni, Rigoletto and Rosenkavalier until 2018. Last season he conducted a new production of Cimarosa’s Il Matrimonio Segreto at the Opéra national de Lorraine in Nancy. Singers with whom he has worked include Placido Domingo, José Carreras, Anna Netrebko, Renée Fleming, Joyce DiDonato, Joseph Calleja, Piotr Beczala, Juan Diego Flores, Thomas Hampson and Michael Schade.
His spectacular work with the Borusan Istanbul Philharmonic Orchestra has been documented in four CDs released by Onyx. The first featured orchestral works by Respighi, Hindemith and Florent Schmitt, the second is entitled Music from the Machine Age, and both received superb reviews. A third recording featuring Rimsky-Korsakov's 'Scheherezade' and other Western works with oriental influences was awarded "5 stars for the performance and 5 stars for the sound" by BBC Music Magazine. A 2014 recording of works by Bach and Schnittke with the Orchestre de Chambre de Paris and Deborah and Sarah Nemtanu, and CDs in 2015 and 2017 for Deutsche Grammophon with his Borusan Istanbul Philharmonic with accordionist Ksenija Sidorova and violinist Nemanja Radulovic have been added to a varied and fascinating discography. The latest CD with the Borusan Orchestra has recently been released: a double concerto for Vadim Repin and Daniel Hope commissioned by the orchestra from Mark-Anthony Turnage, and Berlioz’ Symphonie Fantastique, recorded live in Vienna’s Musikverein.
Recent highlights include performances with the Orchestre National de France in Paris, Orchestre National de Bordeaux, Orchestre National de Lyon and the Israel Symphony, his Japanese opera debut with the Tokyo Philharmonic in Le Nozze di Figaro, a debut in the Zurich Tonhalle, opening the 2016 and 2017 Vienna State Opera balls with the Vienna Philharmonic and and two concerts at the Hong Kong Festival. The Turkish première of Der Rosenkavalier, in which young Turkish singers prepared roles at the Borusan Vocal Academy and sang alongside international stars, as well as performances of Rosenkavalier and Rigoletto at the Vienna State Opera, brought him critical acclaim, as did the tour of his Borusan Philharmonic in Essen, Ljubljana, Vienna and Zurich. He led two concerts in Istanbul featuring all the piano concerti of Sergei Prokofiev with Alexei Volodin, and six performances of Beethoven’s ninth symphony with Japan’s Yomiuri Orchestra in Tokyo and Osaka. Last spring he conducted the Orchestre de Chambre de Paris in the Cité de la Musique, Bach's St. John Passion in Kuopio, concerts with the Oregon Symphony, and concerts at the in Bari, in Sofia, Graz and Linz. In summer he was a guest at the Kirishima Festival in Japan and gave concerts with the El Sistema Orchestra in London and Birmingham.
The current season began with performances at the Vienna State Opera and a concert tour with the Borusan Philharmonic in Paris, Stuttgart, Aachen and Amsterdam, and continued with performances of the traditional Die Fledermaus at New Year in the Vienna State Oper and Mozart’s Nozze di Figaro in March. In addition to his concerts with the Borusan Istanbul Philharmonic, Goetzel appears this season as guest conductor with the London Philharmonic, Israel Philharmonic, Orchestre de Chambre de Paris, Orchestre National de Bordeaux, Yomiuri Symphony Orchestra Tokyo, Orchestre symphonique de Nancy and the Würth Philharmoniker